She's put together the pieces of her life following the tragedy of eight years before that ended in her daughter dead, Catherine's own divorce, raising her daughter's baby, and her son not talking to her.
And then she finds out that he's back. Tommy Lee Royce, the young man responsible for her daughter Becky's death -- even though there was nothing Catherine can prove. That was then, this is now. Catherine's search for justice is going to take her to unexpected places.
The Good: Sarah Lancashire, Sarah Lancashire, Sarah Lancashire.
I love this show so much, and the actress, that I'm never going to do it justice.
I sat up and took notice of Lancashire in Last Tango in Halifax, a show about two people who meet up again after sixty years, fall back in love, and what that means to themselves and their families. It is a terrific show, and I'll write about it one of these days. Lancashire played one of the adult daughters of the couple who remeet. It was created by Sally Wainwright, who then wrote Happy Valley, creating the role of Catherine for Lancashire. (When I looked up Wainwright on IMDB I also found out she wrote one of my favorite Shakespeare Re(Told) episodes, The Taming of the Shrew.)
Happy Valley is a mystery, a police drama, a family saga. Catherine Cawood is a fabulous character. She's tough and capable and good at her job. She's strong but not superhuman. She has flaws. She's in her late forties, with a complicated family. After having a few drinks with a man (see, I'm being very sparse with details), as they're kissing in the car, she matter of factly tells him "I'm too old to be shagging in cars" so invites him in. And yes - I confess that I loved watching a show about someone my age, being given a full, independent life.
In case you can't tell, half the reason I love this show was the amazing character of Catherine Cawood and how magnificently Sarah Lancashire brought her to life. In Happy Valley, it's not just Catherine who is terrific, but the other characters, also. There is a strong ensemble cast, and the other women are just as nuanced and shaded as Cawood.
The other reason I fell hard for Happy Valley is the story. The mystery is two-fold: first is the one close to Catherine's soul, what happened to Catherine's daughter, the role that Tommy Lee Royce played, and what Catherine will be willing to do to get justice -- or, revenge.
At the same time, the viewer watches another mystery unfold: a man unhappy with his job and his boss sets in motion a kidnapping, not realizing the brutality he sets forth in motion. Because the kidnappers demand silence, the police at first aren't aware so that it takes a bit for Catherine to be directly involved. The viewer knows, though, and watches near-misses and overlapping events with a fuller knowledge than any on0screen character. Eventually, the threads of the stories are braided together into strong, marvelous storytelling.
The setting is West Yorkshire, an area called "Happy Valley" because of high incidence of drug related problems. Catherine's sister is a recovering heroin addict, and drug use and trafficking are always lurking in the background, a vague poison to everyone's life. Happy Valley is not happy.
And yes, I'm not giving many details -- because part of the enjoyment for the first watching, at least, is learning secrets and seeing how all the pieces of the puzzle fit together.
Who will like this? Viewers who have enjoyed Broadchurch, the Fargo series, and True Detective. Like those shows, this is not an easy, happy mystery TV series. The stakes are real; their is violence and death. There are no happy endings. . . . but there are resolutions. And, in some ways, people making peace with their lives.
For those who have watched this -- can you recommend any books that have the same type of setting and characters as Happy Valley?
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© Elizabeth Burns of A Chair, A Fireplace & A Tea Cozy
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