Thursday, April 15, 2021

Review: Sometimes You Have to Lie: The Life and Times of Louise Fitzhugh, Renegade Author of Harriet the Spy

Sometimes You Have to Lie: The Life and Times of Louise Fitzhugh, Renegade Author of Harriet the Spy Sometimes You Have to Lie: The Life and Times of Louise Fitzhugh, Renegade Author of Harriet the Spy by Leslie Brody
My rating: 4 of 5 stars

Another great biography! I read this story of Louise shortly after I read one of Louisa, and so I thought it a bit interesting to think of the two of them, Louise Fitzhugh and Louisa May Alcott, and how they were similar and so different.

Here's the first thing: so, when I was reading "Marmee and Louisa," I thought of their poverty and how that drove LMA and wondered was it necessary to create the artist?

And then I read about Louise.

This was so fascinating, to read about Louise Fitzhugh. I appreciated that it began with the story of her parents, so this told of a family and a person starting with the jazz age and the ill fated marriage between a rich man and poor women who wanted to dance, and how that shaped their daughter. And then a look at life and growing up well to do in the South, an insider because of money and family, an outsider because of her sexuality and having divorced parents.

And then -- after 20 years in the south -- to New York! And a place where Louise could be herself and not hide her girlfriends and love. And this tells not just about Louise, but about New York City in the 1950s and 1960s.

And about Louise and her art: as an artist, a painter, a writer. And part of the art being Louise herself, as she invented and reinvented herself. And part of that was the stories she told others about herself and her family.

And here is what is interesting, a contrast to LMA. Louise Fitzhugh came from money and was left money, so she was able to pursue her art because of that money. She didn't have to "worry" about money. And yet-- that, too, drove her. Because she wanted to establish herself, do it on her own. Money drove her, like it did LMA, just in different ways. (So to go back to LMA and her awful father, my belief is LMA would have still written just with a less horrible childhood.)

Last bit: I had not realized just how young Louise was when she died. So young; and one wonders, what would have been her next act. What would she have done next. What she would have thought of the world changing, in some ways, catching up with Louise.

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