Monday, August 17, 2015

Review: The Girl on the Train


The Girl on the Train by Paula Hawkins. Riverhead Books, an imprint of Penguin RandomHouse. 2015. Library copy.

The Girl on the Train by Paula Hawkins - USThe Plot: Rachel takes the same commuter train to work and home, day in, day out. She watches outside her window, watches the buildings and houses. There is one couple in particular she watches, who she names Jess and Jason. Wondering about them and their lives, making up a story about who and what they are.

Until one day, something happens. Something that forces her from observer to participant, off the train and into the lives of those she watches.

The Good: I confess, that I'm not sure what put The Girl on the Train on my must-read list. Once it went there (and it was a long hold list from the library!) I avoided any reviews or mentions of the book, because I didn't want spoilers. Since it was being talked about in the same breadth as Gone Girl (my review here), I knew that I didn't want spoilers. I wanted to discover the book, and any twists and turns, on my own. (For another day is my perhaps contradictory stance on both not minding spoilers and also getting really annoyed when something I don't want spoiled is spoiled.)

To begin with, The Girl on the Train is nothing like Gone Girl: well, both have "girl" in the title. Are both are best-sellers with twists best discovered on one's own. But the unreliable narrator is different: Amy of Gone Girl is a deliberate manipulator of her own story, depending on her audience, and always believes she is the smartest person in the room. Rachel, the primary narrator of The Girl on the Train, is unreliable for different reasons. She doesn't know herself well enough to lie or manipulate the reader, even if at times she tells the story in a way to make herself look better. She also has problems with memory, and so she's unreliable because at times she just doesn't know.

There are three narrators, and I'll leave it to book clubs and others to discuss why these are "girls" and not women. There is Rachel, in her mid-thirties, the girl on the train looking out at life. There is Anna, a young mother, blissfully happy with her husband, her baby, her life. There is Megan, a wife and the crossroads, unsure of whether to pursue a new career or motherhood.

I picture you as a reader like myself; so here's the deal. I'll do nothing spoilery in this post, but if you want to talk spoilers, or things beyond what I do in this review, we'll do that in the comments. So reader, it's your choice, much like it was my choice to avoid reviews and news articles about the book.

The Girl on the Train is a mystery: a woman is missing. What happened to her? And why? It is also a a character study in Rachel, a woman whose life has come undone. She's of an age when she should be in a house, with a family, perhaps a career. She wants these things; she doesn't have these things; she's having more than a tough time reconciling herself to her life now. One of her few distractions, beyond drinking and wallowing in memories, is watching life outside the train window.

Anna's life of happiness is built on someone's else unhappiness, and you know what? Honestly? She doesn't care. That's right. Judge her as you want, the how of her romance and happiness started. Her daughter, her husband, isn't it what anyone wants? And she'll do what she can to keep anything from creeping into that unhappiness.

Megan doesn't quite know what she wants: she's drifting, anchored by a husband and a home but not much else. Motherhood, the next logical step for a wife in her twenties, isn't for her. She keeps her secrets and her past close and unshared with anyone, not even her husband.

These are the three who tell the story: and because it's just these three, with both limited perspectives and particular ways in which they see things, and because they are telling their stories at different times, it's a bit hard to figure things out. But the dots do connect, eventually, between the women and what they know and what they don't.

In some ways, I found this more satisfying than Gone Girl; I liked it more. At it's heart, The Girl on the Train is a mystery and I love a good mystery. It also has one of the more interesting, unapologetic alcoholics in literature; in some ways, I was reminded of Ken Bruen's Jack Taylor. And, because of their complexities and their integrity (each is true to themselves), I liked spending time with Rachel, Anna, and Megan. And while Amy amused me and kept me on her toes, I wouldn't say spending time with her was something I liked.

And yes...A Favorite Book Read in 2015. Because Rachel.

Links: NPR review; publishers' Reader's Guide; New York Time review.




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© Elizabeth Burns of A Chair, A Fireplace & A Tea Cozy

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